A combined experimental and computational approach to understanding CdS pigment oxidation in a renowned early-twentieth-century painting

A combined experimental and computational approach to understanding CdS pigment oxidation in a renowned early-twentieth-century painting

Engelsk

8 s., ill. (hovedsak. kol.), fig, 30 cm

Osm75(481)M92San

75(481)
543

Cadmium sulfide (CdS)-based yellow pigments have been used in a number of early 20th century artworks, including The Scream series painted by Edvard Munch. Some of these unique paintings are threatened by the discoloration of these CdS-based yellow oil paints because of the oxidation of the original sulfides to sulfates. The experimental data obtained here prove that moisture and cadmium chloride compounds play a key role in promoting such oxidation. To clarify how these two factors effectively prompt the process, we studied the band alignment between CdS, CdCl2, and Cd(OH)Cl as well as the radicals •OH and H3O• by density functional theory (DFT) methods. Our results show that a stack of several layers of Cd(OH)Cl creates a pocket of positive holes at the Cl-terminated surface and a pocket of electrons at the OH-terminated surface by leading in a difference in ionization energy at both surfaces. The resulting band alignment indicates that Cd(OH)Cl can indeed play the role of an oxidative catalyst for CdS in a moist environment, thus providing an explanation for the experimental evidence.

Om nedbryting av kadmiumgult pigment i Edvard Munchs Skrik

2023 Chemistry of Materials Washington : ACS-publications, 2023 Vol. 35, issue 24 (2023)

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