Gothic Modern, from Edvard Munch to Käthe Kollwitz, [Konstmuseet Ateneum, Helsingfors, 04.10.2024-28.01.2025 ; Nasjonalmuseet, Oslo, 28.02.-15.06.2025]
Simpson, Juliet redaktør; Bonsdorff, Anna-Maria von redaktør; Ikäläinen, Katja redaktør; Cripps, Peter oversetter; Goodrow, Gérard oversetter; Stenger, Wif oversetter; Hansen, Vibeke Waallann medforfatter; Nuechterlein, Jeanne medforfatter; Osiecki, Cynthia medforfatter; Ateneum Helsinki; Nasjonalmuseet for kunst, arkitektur og design Oslo
2024
069"10.2024-01.2025"M92
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Details
Title
Gothic Modern, from Edvard Munch to Käthe Kollwitz, [Konstmuseet Ateneum, Helsingfors, 04.10.2024-28.01.2025 ; Nasjonalmuseet, Oslo, 28.02.-15.06.2025]
Variant Title
Gothic Modern : fra Edvard Munch til Käthe Kollwitz
ISBN
9783777443928 innbundet
Imprint
[München], Hirmer Verlag, 2024
Local Note
Munch: se register
Language
English
Description
223 sider, illustrasjoner, portretter (hovedsakelig kolorert), 28 centimeter
Call Number
069"10.2024-01.2025"M92
Contains
The art historian Curt Glaser and the debate on the spirit of early german art, Cynthia Osiecki, side 36-44
Erotic devotions, Nuechterlein, Jeanne, side 45-66
Illuminations, Simpsons, Juliet, side 175-195
A modern dance of death, Bonsdorff, Anna-Maria von, side 143-163
Edvard Munch and the Gothic, Hansen, Vibeke Waallann, side 196-206
Erotic devotions, Nuechterlein, Jeanne, side 45-66
Illuminations, Simpsons, Juliet, side 175-195
A modern dance of death, Bonsdorff, Anna-Maria von, side 143-163
Edvard Munch and the Gothic, Hansen, Vibeke Waallann, side 196-206
Universal Decimal Classification
069
Summary
Gothic Modern illuminates the pivotal discovery of medieval Gothic art for Edvard Munch, Käthe Kollwitz and their artist contemporaries. It explores their deep attraction to the Gothic art of Europe’s north and German lands via paintings, prints and in other artistic media to imagine a new ‘Gothic modernity’, unlocking a different energy of modern art and creative experiment beyond nation-centric stories. The book sheds light on the profound importance of medieval Gothic art for Edvard Munch, Käthe Kollwitz and their contemporaries. It explores their re-imagining of Gothic art between the 1870s and 1920s to create new visions of the artist, ‘belonging’, modern society, sexuality, spirituality and identity. In these ways, a distant Gothic age is recreated as tantalisingly close to ‘modernity’, in short, to making modern art. Dark or radiant, enchanted or uncanny, these sites of ‘Gothic modernity’ inspired Munch’s and Kollwitz’s generation with urgent imaginaries for creating worlds. Artists include: Hans Baldung Grien, Ernst Barlach, Max Beckmann, Dirk Bouts, Arnold Böcklin, Gustav Carus, Lovis Corinth, Lucas Cranach The Elder, Otto Dix, Albrecht Dürer, James Ensor, Lyonel Feininger, Akseli Gallen-kallela, Matthias Grünewald, Ernst Heckel, Ernst Ludwig Kirchner, Max Klinger, Käthe Kollwitz, Lowis Korinth, George Minne, Paula Modersohn-becker, Edvard Munch, Emil Nolde, Helene Schjerfbeck, Hugo Simberg, Carl Spitzweg, Marianne Stokes, Henrik Sorensen, Hans Thoma, Gustave Van De Woestyne, Vincent Van Gogh, Emanuel Vigeland, Gustav Vigeland, et al.
Bibliography, etc. Note
Bibliografi: side 222-223
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