The electrified artist, Edvard Munch’s demons, treatments, and sketch of an electrotherapy session (1908–1909)

The electrified artist, Edvard Munch’s demons, treatments, and sketch of an electrotherapy session (1908–1909)

Routledge, 2024

English

Side 241-274, illustrasjoner, portretter (noen kolorert)

Osm75(481)M92Fin

75(481)

In 1908–1909, Norwegian artist Edvard Munch (1863–1944), best remembered for The Scream (1893), spent eight months under Daniel Jacobson’s care in a private nerve clinic in Copenhagen. Munch was suffering from alcohol abuse, and his signs and symptoms included auditory hallucinations, persecutory delusions, paresthesias, paralyses, violent mood swings, depression, loss of control, fatigue, and the loss of his basic ability to take care of himself. He was treated with rest, a fortifying diet, massages, baths, fresh air, limited exercise, and nonconvulsive electrotherapy. After he had settled in, Jacobson allowed Munch to draw, paint, and engage in photography. Munch responded with a portrait of Jacobson and a small but intriguing sketch of himself at one of his electrotherapy sessions. In this article, we examine the circumstances that brought Munch to Jacobson’s clinic and his therapies, with particular attention to electrotherapies. In so doing, we hope to provide a more complete picture of Munch’s crisis in 1908, his nerve doctor, the rationales for medical electricity and other treatments he endured, and Scandinavian psychiatry at this moment in time.

To link to this article: https://doi.org/10.1080/0964704X.2023.229520

Journal of the History of the Neurosciences Volume 33, Issue 3 (2024)

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